Brutalist Fuzz

This fuzz pedal starts off where most fuzzes end. At lower settings, think of a muff-esque sound with more bite and a slight gate. As the gain goes up, a snarling octave effect comes in. Near the top of the gain setting, the waveform folds in on itself, creating a harsh, metallic sound which can draw blood. In fact, it can take your head off.

The clean boost works independently of the main fuzz circuit. It's placed in front of the fuzz, so the overall output volume will be the same if both circuits are activated. A high boost setting can push the fuzz all the way into failure mode, choking the signal at your pick attack, then blooming out into a wave of fuzz. Is this useful? That's for you to decide. I love it.

Tone is shaped by a shelving filter - this means that your low end is always preserved, but you can adjust the mid and top range to your desired level of aggressiveness.

There's a bias control for further sound sculpting in conjunction with the gain control.

Each pedal is handmade in Tokyo, Japan.

Note: Each pedal is encased in concrete. Yes, actual concrete. No two pedals are alike due to the nature of how they're made. The concrete is designed to be scratched, scraped and knocked about. It's not a painted surface, so don't be afraid. Embrace the brutalism.